{"id":408,"date":"2025-05-01T15:51:12","date_gmt":"2025-05-01T15:51:12","guid":{"rendered":"https:\/\/www.ilsileno.it\/dat\/?page_id=408"},"modified":"2026-04-22T10:19:36","modified_gmt":"2026-04-22T10:19:36","slug":"2025-n-16-n-17","status":"publish","type":"page","link":"https:\/\/www.ilsileno.it\/dat\/2025-n-16-n-17\/","title":{"rendered":"2025 | n. 16, n. 17"},"content":{"rendered":"<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">d.a.t.-numero-17&#8212;anno-IX&#8212;ottobre-2025<\/span><\/a><\/p>\n<div class=\"real3dflipbook\" id=\"1_6acfe4fb451be\" style=\"position:absolute;\"><\/div>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-prefazione.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Prefazione<\/span><\/a> &#8211; a cura di <strong>Silvia D&#8217;Augello\u00a0<\/strong><\/p>\n<p data-start=\"0\" data-end=\"144\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-GRM.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">From musique concr\u00e8te to new generations: an interview with Nicolas Debade on philosophy, pedagogy and practice at GRM<\/span><\/a> &#8211; <strong>Comitato di direzione<\/strong><\/p>\n<p data-start=\"146\" data-end=\"286\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Di_Taranto.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">L\u2019acusmatica, immagine anamorfica della musica. Recensione al libro di Franco Degrassi, &#8220;Acusmatica, un\u2019arte sonora&#8221;<\/span><\/a> &#8211; <strong>Giuseppe Di Taranto<\/strong><\/p>\n<p data-start=\"288\" data-end=\"371\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Macor.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Il mito in frantumi: analisi narrativa di &#8220;Outis&#8221; di Luciano Berio<\/span><\/a> &#8211; <strong>Chiara Macor<\/strong><\/p>\n<p data-start=\"373\" data-end=\"501\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Montella.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Sabotare il cronotopo algoritmico: il distorsore a convoluzione nell\u2019ecosistema performativo di Concrete Reel<\/span><\/a> &#8211; <strong>Paolo Montella<\/strong><\/p>\n<p data-start=\"503\" data-end=\"687\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Surace.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">\u201cLe plaisir d\u00e9licieux et toujours nouveau d\u2019une occupation inutile\u2026\u201d \u2013 Influenze di Maurice Ravel nella produzione e nel pensiero musicale di Mario Castelnuovo-Tedesco<\/span><\/a> &#8211; <strong>Marco Surace<\/strong><\/p>\n<p data-start=\"689\" data-end=\"718\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Errata-Corrige.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Errata corrige d.a.t. n. 16<\/span><\/a><\/p>\n<p data-start=\"720\" data-end=\"770\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-AMDM.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Tango elettroacustico<\/span><\/a> &#8211; <strong>Anais Matilde De Martino<\/strong><\/p>\n<p data-start=\"772\" data-end=\"874\" data-is-last-node=\"\" data-is-only-node=\"\"><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/11\/d.a.t.-numero-17-\u2013-anno-IX-\u2013-ottobre-2025-Saiu.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Intermission: convivialit\u00e0, pedagogia povera ed ecologia sonora per lo spazio urbano<\/span><\/a> &#8211; <strong>Fabrizio Saiu<\/strong><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16-\u2013-anno-IX-aprile-2025.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">d.a.t.-numero-16-\u2013-anno-IX-\u2013-aprile-2025<\/span><\/a><\/p>\n<div class=\"real3dflipbook\" id=\"2_6acfe4fb4589f\" style=\"position:absolute;\"><\/div>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-16-Prefazione-Sandra-Fortuna.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Prefazione<\/span><\/a> &#8211; a cura di <strong>Sandra Fortuna<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_1-Di-Cristofaro.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Il Miserere polivocale di Sessa Aurunca: prospettive e campi d&#8217;indagine<\/span><\/a> &#8211; <strong>Francesco Di Cristofaro<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_2-Guarino.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Nuove frontiere musicali e identitarie: adolescenti e performativit\u00e0 di TikTok<\/span><\/a> &#8211; <strong>Chiara Guarino<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_3-Persi.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Suonar danzando: dal movimento del ballerino al gesto del musicista nei repertori pianistici ispirati alle danze<\/span><\/a> &#8211; <strong>Giulia Persi<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_4-Salemme.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Approcci differenti: la vocalit\u00e0 strumentale nel repertorio contemporaneo<\/span><\/a> &#8211; <strong>Flavia Salemme<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_5-Scarnecchia.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Eurovision Song Contest, A Stage For National And European Identity<\/span><\/a> &#8211; <strong>Arianna Scarnecchia<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_6-Surace-1.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Artquake\u00b2. Vibr-azioni artistiche, tra figura e suono<\/span><\/a> &#8211; <strong>Domenico Michele Surace<\/strong><\/p>\n<p><a href=\"https:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2025\/05\/d.a.t.-numero-16_7-Zampaglione.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Il ritmo del Mu.Stru.Mu. L&#8217;importanza del sound design nel videogioco<\/span><\/a> &#8211; <strong>Paolo Zampaglione<\/strong><\/p>\n<hr \/>\n<p>d.a.t.<\/p>\n<p>Divulgazione Audio Testuale<\/p>\n<p>ISSN 2611-0121<\/p>\n","protected":false},"excerpt":{"rendered":"<p>d.a.t.-numero-17&#8212;anno-IX&#8212;ottobre-2025 Prefazione &#8211; a cura di Silvia D&#8217;Augello\u00a0 From musique concr\u00e8te to new generations: an interview with Nicolas Debade on philosophy, pedagogy and practice at GRM &#8211; Comitato di direzione L\u2019acusmatica, immagine anamorfica della musica. Recensione al libro di Franco Degrassi, &#8220;Acusmatica, un\u2019arte sonora&#8221; &#8211; Giuseppe Di Taranto Il mito in frantumi: analisi narrativa di [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":58,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-408","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/pages\/408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/comments?post=408"}],"version-history":[{"count":15,"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/pages\/408\/revisions"}],"predecessor-version":[{"id":575,"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/pages\/408\/revisions\/575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/media\/58"}],"wp:attachment":[{"href":"https:\/\/www.ilsileno.it\/dat\/wp-json\/wp\/v2\/media?parent=408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}