{"id":346,"date":"2024-04-26T09:37:04","date_gmt":"2024-04-26T09:37:04","guid":{"rendered":"http:\/\/www.ilsileno.it\/dat\/?page_id=346"},"modified":"2026-04-22T10:23:01","modified_gmt":"2026-04-22T10:23:01","slug":"2024-n-14-n-15","status":"publish","type":"page","link":"https:\/\/www.ilsileno.it\/dat\/fr\/2024-n-14-n-15\/","title":{"rendered":"2024 | n.14, n.15"},"content":{"rendered":"<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/12\/d.a.t.-numero-15-\u2013-anno-VIII-\u2013-ottobre-2024.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">d.a.t.-numero-15-\u2013-anno-VIII-\u2013-ottobre-2024<\/span><\/a><\/p>\n<div class=\"real3dflipbook\" id=\"3_6ade19a599dc5\" style=\"position:absolute;\"><\/div>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Follo.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">This Is Our House: le Dance Cultures tra Dimensione Affettiva e Politica<\/span><\/a> &#8211; <strong>Giulia Follo<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Gonnella.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Che cos\u2019\u00e8 un\u2019Immagine Sonora?<\/span><\/a> &#8211;\u00a0 <strong>Elia Gonnella<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Quinto.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">\u201cAnalog #1 (Noise Study)\u201d: Da Music III a Max MSP<\/span><\/a> &#8211; <strong>Michele Quinto<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Schiavone.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Arte, Suono, Linguaggio: L\u2019Estetica Multimediale di Laurie Anderson tra Tecnologia e Critica delle Strutture Sociali e Comunicative<\/span><\/a> &#8211; <strong>Giuliana Schiavone<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Laraspata.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">2BRUCK, un Omaggio Acusmatico Illuminato da Anton Bruckner<\/span><\/a> &#8211; <strong>Alessandro Laraspata<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Michelini.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Intervallo come Parola, Cinema, Teatro<\/span><\/a> &#8211; <strong>Tommaso Michelini<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/11\/d.a.t.-15-Mastrogiacomo.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Von Eghel: Immagine Dialettica<\/span><\/a> (\u00e0 Lorenzo Tarantino) &#8211; <strong>Antonio Mastrogiacomo<\/strong><\/p>\n<hr \/>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/d.a.t.-numero-14-\u2013-anno-VIII-\u2013-aprile-2024.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">d.a.t.-numero-14-\u2013-anno-VIII-\u2013-aprile-2024<\/span><\/a><\/p>\n<div class=\"real3dflipbook\" id=\"4_6ade19a59b684\" style=\"position:absolute;\"><\/div>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/Prefazione-Tufano.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Prefazione<\/span><\/a> &#8211; a cura di <strong>Giacomo Tufano<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/1-Bosco.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">La canzone classica napoletana al servizio del cinema muto: un caso unico in Italia<\/span><\/a> &#8211; <strong>Teresa Bosco<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/2-Casillo.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Il paesaggio sonoro della citt\u00e0: un decennio di\u00a0<em>Napolisoundscape Urban Space Research<\/em><\/span><\/a> &#8211;\u00a0<strong>Dario Casillo\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/3-Gubian.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Recensione di E. Pappalardo\u00a0<\/span><em><span style=\"text-decoration: underline;\">Composizione e analisi nelle prime fasi di studio dello strumento musicale. Aspetti cognitivi, creativi, affettivi e relazionali<\/span>,\u00a0<\/em>ED. ETS, PISA, 2023<\/a> &#8211;\u00a0<strong>Sebastiano Gubian<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/4-Lacirignola.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><em>Shattered Noise.<\/em> Uno sguardo su Lucas Abela\/Justice Yeldham<\/span><\/a> &#8211;\u00a0<strong>Aurora Lacirignola\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/5-Mola.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Dal silenzio alla banda critica &#8211; parte 2:\u00a0<em>Critical Band\u00a0<\/em>di James Tenney, reinterpretazione ed oltre<\/span><\/a> &#8211; <strong>Valerio Mola<\/strong><\/p>\n<p><em><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/6-Altilio.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Hidden Sounds\/Hidden Thoughts<\/span><\/a>\u00a0<\/em>&#8211;\u00a0<strong>Francesco Altilio\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/7-Bellucci.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">SI.G.SU.M (Sistema di Generazione del Suono del Movimento)<\/span><\/a> &#8211;\u00a0<strong>Edoardo Maria Bellucci\u00a0<\/strong><\/p>\n<p><a href=\"http:\/\/www.ilsileno.it\/dat\/wp-content\/uploads\/2024\/04\/8-Terrana.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Suonare le corde del pianoforte con Hb-Box<\/span><\/a> &#8211;\u00a0<strong>Andrea Gerlando Terrana<\/strong><\/p>\n<hr \/>\n<p>d.a.t.<\/p>\n<p>Divulgazione Audio Testuale<\/p>\n<p>ISSN 2611-0121<\/p>\n","protected":false},"excerpt":{"rendered":"<p>d.a.t.-numero-15-\u2013-anno-VIII-\u2013-ottobre-2024 This Is Our House: le Dance Cultures tra Dimensione Affettiva e Politica &#8211; Giulia Follo Che cos\u2019\u00e8 un\u2019Immagine Sonora? &#8211;\u00a0 Elia Gonnella \u201cAnalog #1 (Noise Study)\u201d: Da Music III a Max MSP &#8211; Michele Quinto Arte, Suono, Linguaggio: L\u2019Estetica Multimediale di Laurie Anderson tra Tecnologia e Critica delle Strutture Sociali e Comunicative &#8211; Giuliana [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":58,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-346","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/pages\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":7,"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/pages\/346\/revisions"}],"predecessor-version":[{"id":363,"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/pages\/346\/revisions\/363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/media\/58"}],"wp:attachment":[{"href":"https:\/\/www.ilsileno.it\/dat\/fr\/wp-json\/wp\/v2\/media?parent=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}